![]() ![]() What setup do they have, and what is the cost? Does the Webcast Communicator support a HD signal? What I found is that a lot of churches are upgrading from SD to HD and they are getting rid of their SD equipment, so it's worth it to shop around. Could be easily remedied by dropping a pole down a few feet.Īlso - I bought my D70's off eBay and got 3 for the price of 1 new one. You might be getting a fairly awkward top-of-head shot - and if that's your primary camera, it might be an awkward/distracting viewing experience for the receiving audience. again, greatly simplifying the cable running.ģ) are you sure the overflow is the best place? I've done webcasts in new buildings and old buildings, and I always preferred to be in a foyer or clerk's office - some other room.Ĥ) mounting the camera that high, you might want to check the angle before committing. these are devices that can carry the power, control, and video signal over one strand of cat5/6. If you're over the max distance, then it does no good to run the wire - you'll have to use the RS422.Ģ) you may want to look into video 'baluns'. I can't recall the max distance off the top of my head, but I know it's recorded in several places on this forum and wiki. The only thing left is displaying the words to the HYMNS?.Any ideas on that one?Ī couple things on running all that wire:ġ) make sure on the RS-232 that you are not exceeding the maximum distance. I will switch to the tripod camera for a wide angle view, while the Sony EVI-D70 moves into position, then move it back, avoiding the much discussed jerky movements of the camera.Īudio will plug directly into the webcaster from the building sound system, the video would go to the splitter, then the signal I chose will plug into the webcaster. I would also use the tripod camera that came with the building when it was completed two years ago. Power would be always on, the S-video and Composite Video would be an option too. My plan is to have the contractor install a wall plate in the overflow with a serial cable, and I would plug that into the PC, and control it right there in the overflow. Video input will be easy, it's the control of the camera from the PC I need to nail down. Since the camera has several connectors, I will ask them to install each, since they will be doing electrical and control, and video cables anyway. It will ship with all future systems, starting in 2022.Our stake is moving forward with the Sony EVI-D70, and the FM group has agreed to install it using his electrical contractor. The new PS-RM2-48 power supply comes in several versions: Standard – Signal Module Dual Output – (2x500W) Separate Redundancy Mode Outputs 1000W Total Output without Redundancy and Optional Second Power Module, providing a total output of 2000W-2 x (2x500W). This also serves as a safety feature because now users can monitor the power that’s being drawn from the power supply. It also includes Ethernet connectivity, giving users the ability to control and monitor the power supply remotely. The PS-RM2-48 measures 19 inches in a 2U chassis. Therefore, it’s easier to use, takes up less rack space and is more fully featured. Now, users can power all of the components with a single power supply. In the past, a Telemetrics OmniGlide™ Robotic Roving Platform would require three or four standard power supplies (one for the rover, the Televator™, and pan/tilt head). With SNMP Real Time Network Monitoring and a lot more power than previous power supplies, the PS-RM2-48 power supply unit can be used to remotely turn robotic camera components on and off.
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